Storytelling

Notes and guides about telling stories

Story Structure

Some Story Structures

Here are some of the most common and influential story structures, followed by suggestions for interactive exercises to help you learn them:

  1. Three-Act Structure Basic structure: Setup, Confrontation, Resolution
  2. Hero's Journey (Joseph Campbell) A 17-stage monomyth, often simplified to 12 stages
  3. Save the Cat (Blake Snyder) 15-beat structure for screenplays, adaptable to novels
  4. Seven-Point Story Structure (Dan Wells) Hook, Plot Turn 1, Pinch Point 1, Midpoint, Pinch Point 2, Plot Turn 2, Resolution
  5. Freytag's Pyramid Exposition, Rising Action, Climax, Falling Action, Denouement
  6. The Fichtean Curve Series of crises leading to a climax
  7. In Media Res Starting in the middle of the action
  8. Nonlinear Narrative Events portrayed out of chronological order
  9. Kishotenketsu Four-act structure from East Asian narratives: Introduction, Development, Twist, Conclusion
  10. Dan Harmons Story Circle is a simplified version of Joseph Campbell's Hero's Journey. It's designed to be applicable to a wide range of stories, from feature-length films to individual episodes of TV shows.
  11. Kurt Vonnegut - Vonneguts Story Shapes
  12. See Christopher Nolan for some good notes related to story structure

Remember, these structures are guidelines, not rigid rules. As you practice with these exercises, you'll develop an intuitive sense of story flow and pacing. You may even find yourself creating your own unique structural approaches. The key is to understand these structures well enough to use them as tools, bending and adapting them to serve your story's needs.

Tropes

My Favorite Authors and their Style

CM3, PKD, Vonnegut, Lovecraft, DFW

  1. Carlton Mellick III Style: Bizarro fiction, extremely surreal and transgressive Characteristics:
  • Outlandish, often grotesque imagery
  • Straightforward, accessible language despite bizarre concepts
  • Fast-paced, often with short chapters
  • Blend of horror, humor, and absurdism Example tone: "The woman's skin turned to bubble wrap as she popped herself across the room."
  1. Philip K Dick Style: Philosophical science fiction Characteristics:
  • Paranoid, reality-bending narratives
  • Exploration of consciousness and perception
  • Clear, direct prose with sudden surreal turns
  • Often features unreliable narrators Example tone: "He wondered if the reality he experienced was genuine or an elaborate construction designed to deceive him."
  1. Kurt Vonnegut Style: Satirical, darkly humorous Characteristics:
  • Simple, conversational language
  • Short, punchy sentences and paragraphs
  • Frequent use of repetition and catch phrases
  • Blends tragedy and comedy Example tone: "So it goes. Poo-tee-weet?"
  1. HP Lovecraft Style: Cosmic horror, antiquated Characteristics:
  • Verbose, archaic language
  • Heavy use of adjectives and adverbs
  • Long, complex sentences
  • Emphasis on mood and atmosphere over action Example tone: "The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents."
  1. David Foster Wallace Style: Postmodern, maximalist Characteristics:
  • Extremely long, complex sentences
  • Extensive use of footnotes and endnotes
  • Blends high and low culture references
  • Meta-fictional elements and unconventional formatting
  • Deep dives into characters' psyches Example tone: "The sun-shot cloud of the sort of colorful dots one sees floating before the eyes after looking at a bright light pervaded my vision as I contemplated the infinite recursions of self-awareness that constitute consciousness (see footnote 127 for further exploration of this concept)."

When emulating these styles:

  • For Mellick, embrace the bizarre and don't shy away from shocking imagery.
  • For Dick, focus on questioning reality and exploring altered states of consciousness.
  • For Vonnegut, aim for simplicity and repetition, with a mix of humor and bleakness.
  • For Lovecraft, use ornate language and focus on creating a sense of dread and the unknown.
  • For Wallace, experiment with complex structures, extensive detail, and meta-commentary.

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