up:: đ Bookshelf
type:: #đ„/đ/completed
status:: #đ„/đ„
tags:: #on/books
topics:: Fiction
Author:: Toni Morrison
Title:: Song of Solomon
URL::
Reviewed Date:: 2025-03-12
Finished Year:: 2025
Rating:: 5
Song of Solomon
summary::
Take a look at all of my highlights, denoted here by unique ids. Ignore the single word highlights, some contain definitions below them, those can be combined in a "Words" list with definitions of each which we will do later. Given the other highlights, and the personal notes I made below them for some of them, give me a short essay describing the themes of the book, use quotes from the highlights and include outside sources if you find it helpful.
Thoughts
Highlights
id859290371
He had a flattering view of me as someone interesting, capable, witty, smart, high-spirited. I did not share that view of myself, and wondered why he held it. But it was the death of that girlâthe one who lived in his headâthat I mourned when he died. Even more than I mourned him, I suffered the loss of the person he thought I was. đ
- [N] From foreword, damn
id859303425
He never beat anybody up and he wasnât seen after dark, so they thought he was probably a nice man. But he was heavily associated with illness and death, neither of which was distinguishable from the brown picture of the North Carolina Mutual Life Building on the back of their yellow cards. Jumping from the roof of Mercy was the most interesting thing he had done. None of them had suspected he had it in him. đ
id859306194
his wife, Ruth, began her days stunned into stillness by her husbandâs contempt and ended them wholly animated by it. đ
id859309066
fluky đ
- [N] fluky (adjective): unpredictable; occurring by chance or luck đČđ
id859312283
âIf you pull that trigger,â shouted Macon, âyou better not miss. If you take a shot you better make sure Iâm dead, cause if you donât Iâm gonna shoot your balls up in your throat!â He pulled out his own weapon. âNow get the hell outta that window!â
Porter hesitated for only a second, before turning the barrel of the shotgun toward himselfâor trying to. Its length made it difficult; his drunkenness made it impossible. Struggling to get the right angle, he was suddenly distracted. He leaned his shotgun on the window sill, pulled out his penis and in a high arc, peed over the heads of the women, making them scream and run in a panic that the shotgun had not been able to create. Macon rubbed the back of his head while Freddie bent double with laughter.
For more than an hour Porter held them at bay: cowering, screaming, threatening, urinating, and interspersing all of it with pleas for a woman. đ
id859315042
Now, nearing her yard, he trusted that the dark would keep anyone in her house from seeing him. He did not even look to his left as he walked by it. But then he heard the music. They were singing. All of them. Pilate, Reba, and Rebaâs daughter, Hagar. There was no one on the street that he could see; people were at supper, licking their fingers, blowing into saucers of coffee, and no doubt chatterning about Porterâs escapade and Maconâs fearless confrontation of the wild man in the attic. There were no street lights in this part of town; only the moon directed the way of a pedestrian. Macon walked on, resisting as best he could the sound of the voices that followed him. He was rapidly approaching a part of the road where the music could not follow, when he saw, like a scene on the back of a postcard, a picture of where he was headedâhis own home; his wifeâs narrow unyielding back; his daughters, boiled dry from years of yearning; his son, to whom he could speak only if his words held some command or criticism. âHello, Daddy.â âHello, son, tuck your shirt in.â âI found a dead bird, Daddy.â âDonât bring that mess in this house.â There was no music there, and tonight he wanted just a bit of musicâfrom the person who had been his first caring for. đ
- [N] Macon walking home, contemplating family, life
id859315377
Chapter 2 đ
id859357076
These rides that the family took on Sunday afternoons had become rituals and much too important for Macon to enjoy. For him it was a way to satisfy himself that he was indeed a successful man. It was a less ambitious ritual for Ruth, but a way, nevertheless, for her to display her family. For the little boy it was simply a burden. đ
id859357868
He didnât mean it. It happened before he was through. Sheâd stepped away from him to pick flowers, returned, and at the sound of her footsteps behind him, heâd turned around before he was through. It was becoming a habitâthis concentration on things behind him. Almost as though there were no future to be had.
But if the future did not arrive, the present did extend itself, and the uncomfortable little boy in the Packard went to school and at twelve met the boy who not only could liberate him, but could take him to the woman who had as much to do with his future as she had his past. đ
- [N] Wow, incredible transition
id859358518
âThe only one he got. Ainât but three Deads alive.â
Milkman, who had been unable to get one word out of his mouth after the foolish âHi,â heard himself shouting: âIâm a Dead! My motherâs a Dead! My sisters. You and him ainât the only ones!â
Even while he was screaming he wondered why he was suddenly so defensiveâso possessive about his name. He had always hated that name, all of it, and until he and Guitar became friends, he had hated his nickname too. But in Guitarâs mouth it sounded clever, grown up. Now he was behaving with this strange woman as though having the name was a matter of deep personal pride, as though she had tried to expel him from a very special group, in which he not only belonged, but had exclusive rights. đ
id859361609
Milkman was five feet seven then but it was the first time in his life that he remembered being completely happy. He was with his friend, an older boyâwise and kind and fearless. He was sitting comfortably in the notorious wine house; he was surrounded by women who seemed to enjoy him and who laughed out loud. And he was in love. No wonder his father was afraid of them. đ
id859363149
âWhat kind of foolish question is that? Course he was. Who hadnât been in 1869? They all had to register. Free and not free. Free and used-to-be-slaves. Papa was in his teens and went to sign up, but the man behind the desk was drunk. He asked Papa where he was born. Papa said Macon. Then he asked him who his father was. Papa said, âHeâs dead.â Asked him who owned him, Papa said, âIâm free.â Well, the Yankee wrote it all down, but in the wrong spaces. Had him born in Dunfrie, wherever the hell that is, and in the space for his name the fool wrote, âDeadâ comma âMacon.â But Papa couldnât read so he never found out what he was registered as till Mama told him. They met on a wagon going North. Started talking about one thing and another, told her about being a freedman and showed off his papers to her. When she looked at his paper she read him out what it said.â
âHe didnât have to keep the name, did he? He could have used his real name, couldnât he?â
âMama liked it. Liked the name. Said it was new and would wipe out the past. Wipe it all out.â đ
id859363590
âBoy, you got better things to do with your time. Besides, itâs time you started learning how to work. You start Monday. After school come to my office; work a couple of hours there and learn whatâs real. Pilate canât teach you a thing you can use in this world. Maybe the next, but not this one. Let me tell you right now the one important thing youâll ever need to know: Own things. And let the things you own own other things. Then youâll own yourself and other people too. Starting Monday, Iâm going to teach you how.â đ
id859365210
âWhoâs teasing? Iâm telling him the truth. He ainât going to have it. Neither one of âem going to have it. And Iâll tell you something else you not going to have. You not going to have no private coach with four red velvet chairs that swivel around in one place whenever you want âem to. No. And you not going to have your own special toilet and your own special-made eight-foot bed either. And a valet and a cook and a secretary to travel with you and do everything you say. Everything: get the right temperature in your hot-water bottle and make sure the smoking tobacco in the silver humidor is fresh each and every day. Thatâs something else you not going to have. You ever have five thousand dollars of cold cash money in your pocket and walk into a bank and tell the bank man you want such and such a house on such and such a street and he sell it to you right then? Well, you wonât ever have it. And you not going to have a governorâs mansion, or eight thousand acres of timber to sell. And you not going to have no ship under your command to sail on, no train to run, and you can join the 332nd if you want to and shoot down a thousand German planes all by yourself and land in Hitlerâs backyard and whip him with your own hands, but you never going to have four stars on your shirt front, or even three. And you not going to have no breakfast tray brought in to you early in the morning with a red rose on it and two warm croissants and a cup of hot chocolate. Nope. Never. And no pheasant buried in coconut leaves for twenty days and stuffed with wild rice and cooked over a wood fire so tender and delicate it make you cry. And no Rothschild â29 or even Beaujolais to go with it.â đ
id859365757
There was quite a bit of pie filling oozing around the edge of the crust in 1945. Filling that could be his. Everything had improved for Macon Dead during the war. Except Ruth. And years later when the war was over and that pie filling had spilled over into his very lap, had stickied his hands and weighed his stomach down into a sagging paunch, he still wished he had strangled her back in 1921. She hadnât stopped spending occasional nights out of the house, but she was fifty years old now and what lover could she have kept so long? What lover could there be that even Freddie didnât know about? Macon decided it was of no importance, and less often did he get angry enough to slap her. Particularly after the final time, which became final because his son jumped up and knocked him back into the radiator.
Milkman was twenty-two then and since he had been fucking for six years, some of them with the same woman, heâd begun to see his mother in a new light. đ
- [N] Another great transition
id859366078
Now he saw her as a frail woman content to do tiny things; to grow and cultivate small life that would not hurt her if it died: rhododendron, goldfish, dahlias, geraniums, imperial tulips. Because these little lives did die. The goldfish floated to the top of the water and when she tapped the side of the bowl with her fingernail they did not flash away in a lightning arc of terror. The rhododendron leaves grew wide and green and when their color was at its deepest and waxiest, they suddenly surrendered it and lapsed into limp yellow hearts. In a way she was jealous of death. Inside all that grief she felt when the doctor died, there had been a bit of pique too, as though he had chosen a more interesting subject than lifeâa more provocative companion than she wasâand had deliberately followed death when it beckoned. She was fierce in the presence of death, heroic even, as she was at no other time. Its threat gave her direction, clarity, audacity. Regardless of what Macon had done, sheâd always suspected that the doctor didnât have to die if he hadnât wanted to. And it may have been that suspicion of personal failure and rejection (plus a smidgen of revenge against Macon) that made her lead her husband down paths from which there was no exit save violence. Lena thought Maconâs rages unaccountable. But Corinthians began to see a plan. To see how her mother had learned to bring her husband to a point, not of power (a nine-year-old girl could slap Ruth and get away with it), but of helplessness. She would begin by describing some incident in which she was a sort of honest buffoon. It began as a piece of pleasant dinner conversation, harmless on the surface because no one at the table was required to share her embarrassment; but all were able to admire her honesty and to laugh at her ignorance. đ
id859368120
Just as the father brimmed with contradictory feelings as he crept along the wallâhumiliation, anger, and a grudging feeling of pride in his sonâso the son felt his own contradictions. There was the pain and shame of seeing his father crumple before any manâeven himself. Sorrow in discovering that the pyramid was not a five-thousand-year wonder of the civilized world, mysteriously and permanently constructed by generation after generation of hardy men who had died in order to perfect it, but that it had been made in the back room at Sears, by a clever window dresser, of papier-mĂąchĂ©, guaranteed to last for a mere lifetime.
He also felt glee. A snorting, horse-galloping glee as old as desire. He had won something and lost something in the same instant. Infinite possibilities and enormous responsibilities stretched out before him, but he was not prepared to take advantage of the former, or accept the burden of the latter. So he cock-walked around the table and asked his mother, âAre you all right?â đ
- [N] Milkman assaults his dad for punching his mom
id859368357
Quickly he left the room, realizing there was no one to thank himâor abuse him. His action was his alone. It would change nothing between his parents. It would change nothing inside them. He had knocked his father down and perhaps there were some new positions on the chessboard, but the game would go on. đ
id859398416
Milkman sat on the edge of his bed; everything was still except for the light buzzing in his head. He felt curiously disassociated from all that he had heard. As though a stranger that heâd sat down next to on a park bench had turned to him and begun to relate some intimacy. He was entirely sympathetic to the strangerâs problemsâunderstood perfectly his view of what had happened to himâbut part of his sympathy came from the fact that he himself was not involved or in any way threatened by the strangerâs story. It was quite the opposite from the feeling heâd had an hour or less ago. The alien who had just walked out of his room was also the man he felt passionately enough about to strike with all the fervor he could summon up. Even now he could feel the tingle in his shoulder that had signaled the uncontrollable urge to smash his fatherâs face. On the way upstairs to his room he had felt isolated, but righteous. He was a man who saw another man hit a helpless person. And he had interfered. Wasnât that the history of the world? Isnât that what men did? Protected the frail and confronted the King of the Mountain? And the fact that the frail was his mother and the King of the Mountain his father made it more poignant, but did not change the essential facts. No. He would not pretend that it was love for his mother. She was too insubstantial, too shadowy for love. But it was her vaporishness that made her more needful of defense. She was not a maternal drudge, her mind pressed flat, her shoulders hunched under the burden of housework and care of others, brutalized by a bear of a man. Nor was she the acid-tongued shrew who defended herself with a vicious vocabulary and a fast lip. Ruth was a pale but complicated woman given to deviousness and ultra-fine manners. She seemed to know a lot and understand very little. It was an interesting train of thought, and new for him. Never had he thought of his mother as a person, a separate individual, with a apart from allowing or interfering with his own. đ
- [N] Dad tells Milkman about growing up in the shadow of his wife's father, the ether addicted doctor that supposedly had the hots for her, Ruth, and vice versa. But how much of it is true verse insecurity or even projection.
id859399528
âI couldnât stand up,â he said aloud, and turned toward a shop window. There was his face leaning out of the upturned collar of his jacket, and he knew. âMy mother nursed me when I was old enough to talk, stand up, and wear knickers, and somebody saw it and laughed andâand that is why they call me Milkman and that is why my father never does and that is why my mother never does, but everybody else does. And how did I forget that? And why? And if she did that to me when there was no reason for it, when I also drank milk and Ovaltine and everything else from a glass, then maybe she did other things with her father?â đ
- [N] Moment of realization, eek. This will change him forever, the family decomposing, the illusion is busted.
id859401553
Maryâs was the bar/lounge that did the best business in the Blood Bankâalthough each of the three other corners had a similar placeâbecause of Mary herself, a pretty but overpainted barmaid/part-owner, who was sassy, funny, and good company for the customers. Whores worked her bar in safety; lonely drunks could drink there in peace; cruisers found chickens or hawksâwhichever they preferred, even jailbait; restless housewives were flattered there and danced their heels off; teen-agers learned âlife rulesâ there; and everybody found excitement there. For in Maryâs the lights made everybody beautiful, or if not beautiful, then fascinating. The music gave tone and texture to conversations that would put you to sleep anywhere else. And the food and drink provoked people into behavior that resembled nothing less than high drama. đ
- [N] Description of Mary's bar
id859403197
âListen, baby, people do funny things. Specially us. The cards are stacked against us and just trying to stay in the game, stay alive and in the game, makes us do funny things. Things we canât help. Things that make us hurt one another. We donât even know why. But look here, donât carry it inside and donât give it to nobody else. Try to understand it, but if you canât, just forget it and keep yourself strong, man.â
âI donât know, Guitar. Things seem to be getting to me, you know?â
âDonât let âem. Unless you got a plan. Look at Till. They got to him too. Now heâs just an item on WJRâs evening news.â đ
id859403222
âLet me tell you somethin, baby. Niggers get their names the way they get everything elseâthe best way they can. The best way they can.â
Milkmanâs eyes were blurred now and so were his words. âWhy canât we get our stuff the right way?â
âThe best way is the right way. Come on. Iâll take you home.â đ
id859403482
âYeah. Iâll ask Pilate. Pilate knows. Itâs in that dumb-ass box hanging from her ear. Her own name and everybody elseâs. Bet mineâs in there too. Iâm gonna ask her what my name is. Say, you know how my old manâs daddy got his name?â
âUh uh. How?â
âCracker gave it to him.â
âShoânough?â
âYep. And he took it. Like a fuckin sheep. Somebody should have shot him.â
âWhat for? He was already Dead.â đ
id859969923
She was the third beer. Not the first one, which the throat receives with almost tearful gratitude; nor the second, that confirms and extends the pleasure of the first. But the third, the one you drink because itâs there, because it canât hurt, and because what difference does it make? đ
id860032959
Having thought so carefully of what he would say to her, he felt as though he had already had the conversation and had settled everything. He went back to his fatherâs office, got some cash out of the safe, and wrote Hagar a nice letter which ended: âAlso, I want to thank you. Thank you for all you have meant to me. For making me happy all these years. I am signing this letter with love, of course, but more than that, with gratitude.â And he did sign it with love, but it was the word âgratitudeâ and the flat-out coldness of âthank youâ that sent Hagar spinning into a bright blue place where the air was thin and it was silent all the time, and where people spoke in whispers or did not make sounds at all, and where everything was frozen except for an occasional burst of fire inside her chest that crackled away until she ran out into the streets to find Milkman Dead. đ
- [N] Milkman's break up note to cousin Hagar
id860034065
âAw, man, why you making something out of it that ainât there? Youâre making the whole thing into something superserious, just to prove your point. First Iâm wrong for not living in Alabama. Then Iâm wrong for not behaving right in my own dream. Now Iâm wrong for dreaming it. You see what I mean? The least little thing is a matter of life and death to you. Youâre getting to be just like my old man. He thinks if a paper clip is in the wrong drawer, I should apologize. Whatâs happening to everybody?â
âLooks like everybodyâs going in the wrong direction but you, donât it?â
Milkman swallowed. He remembered that long-ago evening after he hit his father how everybody was crammed on one side of the street, going in the direction he was coming from. Nobody was going his way. It was as though Guitar had been in that dream too.
âMaybe,â he said. âBut I know where Iâm going.â
âWhere?â
âWherever the party is.â đ
- [N] After Milkman tells Guitar the dream about his mom with the tulip plants smothering her
id860034426
He ought to get married, Milkman thought. Maybe I should too. Who? There were lots of women around and he was very much the eligible bachelor to the HonorĂ© crowd. Maybe heâd pick oneâthe redhead. Get a nice house. His father would help him find one. Go into a real partnership with his father andâŠAnd what? There had to be something better to look forward to. He couldnât get interested in money. No one had ever denied him any, so it had no exotic attraction. Politicsâat least barbershop politics and Guitarâs brandâput him to sleep. He was bored. Everybody bored him. The city was boring. The racial problems that consumed Guitar were the most boring of all. He wondered what they would do if they didnât have black and white problems to talk about. Who would they be if they couldnât describe the insults, violence, and oppression that their lives (and the television news) were made up of? If they didnât have Kennedy or Elijah to quarrel about? They excused themselves for everything. Every job of work undone, every bill unpaid, every illness, every death was The Manâs fault. And Guitar was becoming just like themâexcept he made no excuses for himselfâjust agreed, it seemed to Milkman, with every grievance he heard. đ
- [N] Milkman questioning who he is, what's life about
id860340582
âSee what I mean? Picky. Why you got to be a soft -fried egg? Why canât you be just a fried egg? Or just a plain old egg? And why a egg anyway? Negroâs been a lotta things, but he ainât never been no egg.â đ
id860343296
Milkman lay quietly in the sunlight, his mind a blank, his lungs craving smoke. Gradually his fear of and eagerness for death returned. Above all he wanted to escape what he knew, escape the implications of what he had been told. And all he knew in the world about the world was what other people had told him. He felt like a garbage pail for the actions and hatreds of other people. He himself did nothing. Except for the one time he had hit his father, he had never acted independently, and that act, his only one, had brought unwanted knowledge too, as well as some responsibility for that knowledge. When his father told him about Ruth, he joined him in despising her, but he felt put upon; felt as though some burden had been given to him and that he didnât deserve it. None of that was his fault, and he didnât want to have to think or be or do something about any of it. đ
- [N] Toni Morrison has a unique insight into the mind and emotions
id860475515
It literally knocked her down at night, and raised her up in the morning, for when she dragged herself off to bed, having spent another day without his presence, her heart beat like a gloved fist against her ribs. And in the morning, long before she was fully awake, she felt a longing so bitter and tight it yanked her out of a sleep swept clean of dreams. đ
id860475602
She toyed, sometimes, with her unsucked breasts, but at some point her lethargy dissipated of its own accord and in its place was wilderness, the focused meanness of a flood or an avalanche of snow which only observers, flying in a rescue helicopter, believed to be an indifferent natural phenomenon, but which the victims, in their last gulp of breath, knew was both directed and personal. The calculated violence of a shark grew in her, and like every witch that ever rode a broom straight through the night to a ceremonial infanticide as thrilled by the black wind as by the rod between her legs; like every fed-up-to-the-teeth bride who worried about the consistency of the grits she threw at her husband as well as the potency of the lye she had stirred into them; and like every queen and every courtesan who was struck by the beauty of her emerald ring as she tipped its poison into the old red wine, Hagar was energized by the details of her mission. She stalked him. Whenever the fist that beat in her chest became that pointing finger, when any contact with him at all was better than none, she stalked him. She could not get his love (and the possibility that he did not think of her at all was intolerable), so she settled for his fear. đ
- [N] Holy fuck this is great. Hagar's crime of passion is heating up, boiling over
id860478040
(Years later Ruth learned that Pilate put a small doll on Maconâs chair in his office. A male doll with a small painted chicken bone stuck between its legs and a round red circle painted on its belly. Macon knocked it out of the chair and with a yardstick pushed it into the bathroom, where he doused it with alcohol and burned it. It took nine separate burnings before the fire got down to the straw and cotton ticking of its insides. But he must have remembered the round fire-red stomach, for he left Ruth alone after that.) đ
- [N] Pilate threatening Macon to keep Ruth safe, this entire part is great
id860492211
Her passions were narrow but deep. Long deprived of sex, long dependent on self-manipulation, she saw her sonâs imminent death as the annihilation of the last occasion she had been made love to. đ
id860492330
She was serene and purposeful as always when death turned his attention to someone who belonged to her, as she was when death breathed in her fatherâs wispy hair and blew the strands about. She had the same calmness and efficiency with which she cared for the doctor, putting her hand on deathâs chest and holding him back, denying him, keeping her father alive even past the point where he wanted to be alive, past pain on into disgust and horror at having to smell himself in his next breath. Past that until he was too sick to fight her efforts to keep him alive, lingering in absolute hatred of this woman who would not grant him peace, but kept her shining lightish eyes fixed on him like magnets holding him from the narrow earth he longed for. đ
- [N] Good god
id860492551
Ruth was not impressed. Death always smiled. And breathed. And looked helpless like a shinbone, or a tiny speck of black on the Queen Elizabeth roses, or film on the eye of a dead goldfish.
âYou are trying to kill him.â Ruthâs voice was matter-of-fact. âIf you so much as bend a hair on his head, so help me Jesus, I will tear your throat out.â
Hagar looked surprised. She loved nothing in the world except this womanâs son, wanted him alive more than anybody, but hadnât the least bit of control over the predator that lived inside her. Totally taken over by her anaconda love, she had no self left, no fears, no wants, no intelligence that was her own. So it was with a great deal of earnestness that she replied to Ruth. âIâll to. But I canât make you a for-certain promise.â
Ruth heard the supplication in her words and it seemed to her that she was not looking at a person but at an impulse, a cell, a red corpuscle that neither knows nor understands why it is driven to spend its whole life in one pursuit: swimming up a dark tunnel toward the muscle of a heart or an eyeâs nerve end that it both nourished and fed from. đ
- [N] Ruth confronts Hagar about Milkman
id860493171
âYou think people should live forever?â
âSome people. Yeah.â
âWhoâs to decide? Which ones should live and which ones shouldnât?â
âThe people themselves. Some folks want to live forever. Some donât. I believe they decide on it anyway. People die when they want to and if they want to. Donât nobody have to die if they donât want to.â đ
id860538956
âThere is a society. Itâs made up of a few men who are willing to take some risks. They donât initiate anything; they donât even choose. They are as indifferent as rain. But when a Negro child, Negro woman, or Negro man is killed by whites and nothing is done about it by their law and their courts, this society selects a similar victim at random, and they execute him or her in a similar manner if they can. If the Negro was hanged, they hang; if a Negro was burnt, they burn; raped and murdered, they rape and murder. If they can. If they canât do it precisely in the same manner, they do it any way they can, but they do it. They call themselves the Seven Days. They are made up of seven men. Always seven and only seven. If one of them dies or leaves or is no longer effective, another is chosen. Not right away, because that kind of choosing takes time. But they donât seem to be in a hurry. Their secret is time. To take the time, to last. Not to grow; thatâs dangerous because you might become known. They donât write their names in toilet stalls or brag to women. Time and silence. Those are their weapons, and they go on forever. đ
- [N] Seven Days Society
id860539110
âAre there? Milkman, if Kennedy got drunk and bored and was sitting around a potbellied stove in Mississippi, he might join a lynching party just for the hell of it. Under those circumstances his unnaturalness would surface. But I know I wouldnât join one no matter how drunk I was or how bored, and I know you wouldnât either, nor any black man I know or ever heard tell of. Ever. In any world, at any time, just get up and go find somebody white to slice up. But they can do it. And they donât even do it for profit, which is why they do most things. They do it for fun. Unnatural.â đ
- [N] Seven Days cont..
id860539526
We donât even tell the victims. We just whisper to him, âYour Day has come.â The beauty of what we do is its secrecy, its smallness. The fact that nobody needs the unnatural satisfaction of talking about it. Telling about it. We donât discuss it among ourselves, the details. We just get an assignment. đ
id860539677
âMaybe. But if Iâm caught Iâll just die earlier than Iâm supposed toânot better than Iâm supposed to. And how I die or when doesnât interest me. What I die for does. Itâs the same as what I live for. Besides, if Iâm caught theyâll accuse me and kill me for one crime, maybe two, never for all. And there are still six other days in the week. Weâve been around for a long long time. And believe me, weâll be around for a long long time to come.â đ
id860539727
âNo love? No love? Didnât you hear me? What Iâm doing ainât about hating white people. Itâs about loving us. About loving you. My whole life is love.â đ
id860540050
If there was anything like or near justice or courts when a cracker kills a Negro, there wouldnât have to be no Seven Days. But there ainât; so we are. And we do it without money, without support, without costumes, without newspapers, without senators, without lobbyists, and without illusions!â đ
id860584924
Truly landlocked people know they are. Know the occasional Bitter Creek or Powder River that runs through Wyoming; that the large tidy Salt Lake of Utah is all they have of the sea and that they must content themselves with bank, shore, and beach because they cannot claim a coast. And having none, seldom dream of flight. But the people living in the Great Lakes region are confused by their place on the countryâs edgeâan edge that is border but not coast. They seem to be able to live a long time believing, as coastal people do, that they are at the frontier where final exit and total escape are the only journeys left. But those five Great Lakes which the St. Lawrence feeds with memories of the sea are themselves landlocked, in spite of the wandering river that connects them to the Atlantic. Once the people of the lake region discover this, the longing to leave becomes acute, and a break from the area, therefore, is necessarily dream-bitten, but necessary nonetheless. It might be an appetite for other streets, other slants of light. Or a yearning to be surrounded by strangers. It may even be a wish to hear the solid click of a door closing behind their backs. đ
- [N] The Great Lakes illusion of freedom of exit
id860585447
Deep down in that pocket where his heart hid, he felt used. Somehow everybody was using him for something or as something. Working out some scheme of their own on him, making him the subject of their dreams of wealth, or love, or martyrdom. Everything they did seemed to be about him, yet nothing he wanted was part of it. Once before he had had a long talk with his father, and it ended up with his being driven further from his mother. Now he had had a confidential talk with his mother, only to discover that before he was born, before the first nerve end had formed in his motherâs womb, he was the subject of great controversy and strife. And now the one woman who claimed to love him more than life, more than her life, actually loved him more than his life, for she had spent half a year trying to relieve him of it. And Guitar. The one sane and constant person he knew had flipped, had ripped open and was spilling blood and foolishness instead of conversation. He was a fit companion for Empire State. So now he waited with curiosity, but without excitement or hope, for this latest claim. đ
- [N] Feeling alone, used
id861244096
âDid you do it yet? Do you know something both exotic and ordinary that I have not felt? Do you now know what itâs like to risk your one and only self? How did it feel? Were you afraid? Did it change you? And if I do it, will it change me too?â đ
- [N] Thinking about whether Guitar killed anyone yet
id861248729
âHow come it canât fly no better than a chicken?â Milkman asked.
âToo much tail. All that jewelry weighs it down. Like vanity. Canât nobody fly with all that shit. Wanna fly, you got to give up the shit that weighs you down.â đ
- [N] The white peacock
id862030311
âWell, if a man donât have a chance, then he has to take a chance!â
âBe reasonable.â
âReasonable? You canât get no pot of gold being reasonable. Canât nobody get no gold being reasonable. You have to be unreasonable. How come you donât know that?â
âListen to meâŠ.â
âI just quit listening. You listen! You got a life? Live it! Live the motherfuckin life! Live it!â đ
id862051701
He nodded and said, âI donât want a doll baby. I want a woman. A grown-up woman thatâs not scared of her daddy. I guess you donât want to be a grown-up woman, Corrie.â She stared through the windshield. A grown-up woman? She tried to think of some. Her mother? Lena? The dean of women at Bryn Mawr? Michael-Mary? The ladies who visited her mother and ate cake? Somehow none of them fit. She didnât know any grown-up women. Every woman she knew was a doll baby. Did he mean like the women who rode on the bus? The other maids, who were not hiding what they were? Or the black women who walked the streets at night?
âYou mean like those women on the bus? You can have one of them, you know. Why donât you drop a greeting card in one of their laps?â His words had hit home; she had been comparedâunfavorably, she believedâwith the only people she knew for certain she was superior to. âTheyâd love to have a greeting card dropped in their lap. Just love it. But oh, I forgot. You couldnât do that, could you, because they wouldnât be able to read it. Theyâd have to take it home and wait till Sunday and give it to the preacher to read it to them. Of course when they heard it they might not know what it meant. But it wouldnât matterâtheyâd see the flowers and the curlicues all over the words and theyâd be happy. It wouldnât matter a bit that it was the most ridiculous, most clichĂ©d, most commercial piece of tripe the drugstore world has to offer. They wouldnât know mediocrity if it punched them right in their fat faces. Theyâd laugh and slap their fat thighs and take you right on into their kitchens. Right up on the breakfast table. But you wouldnât give them a fifteen-cent greeting card, would you?âno matter how silly and stupid it wasâbecause theyâre grown-up women and you donât have to court them. You can just come right out and say, âHello there, come on to my room tonight.â Right? Isnât that so? Isnât that so?â She was close to screaming. âBut no. You wanted a lady. Somebody who knows how to sit down, how to dress, how to eat the food on her plate. Well, there is a difference between a woman and a lady, and I know you know which one I am.â đ
- [N] Great scene, beautiful dialogue
id862052379
He did not move. In a panic, lest he shift gears and drive away, leaving her alone in the street, Corinthians climbed up on the fender and lay full out across the hood of the car. She didnât look through the windshield at him. She just lay there, stretched across the car, her fingers struggling for a grip on steel. She thought of nothing. Nothing except what her body needed to do to hang on, to never let go. Even if he drove off at one hundred miles an hour, she would hang on. Her eyes were shut tight with the effort of clinging to the hood, and she didnât hear the door open and shut, nor Porterâs footsteps as he moved around to the front of the car. She screamed at first when he put his hand on her shoulders and began pulling her gently into his arms. He carried her to the passengerâs side of the car, stood her on her feet while he opened the door and helped her ease into the seat. In the car, he pressed her head onto his shoulder and waited for her soft crying to wane before he left the driverâs seat to pick up the purse she had let fall on the sidewalk. He drove away then to number 3 Fifteenth Street, a house owned by Macon Dead, where sixteen tenants lived, and where there was an attic window, from which this same Henry Porter had screamed, wept, waved a shotgun, and urinated over the heads of the women in the yard. đ
id862074424
Milkman woke at noon. Somebody had come into his room and placed a small fan on the floor near the foot of his bed. He listened to the whirring for a long time before he got up and went into the bathroom to fill the tub. He lay there in lukewarm water, still sweating, too hot and tired to soap himself. Every now and then he flicked water on his face, letting it wet his two-day-old beard. He wondered if he could shave without slicing his chin open. The tub was uncomfortable, too short for him to stretch out, though he remembered when he could almost swim in it. Now he looked down at his legs. The left one looked just as long as the other. His eyes traveled up his body. The touch of the policemanâs hand was still thereâa touch that made his flesh jump like the tremor of a horseâs flank when flies light on it. And something more. Something like shame stuck to his skin. Shame at being spread-eagled, fingered, and handcuffed. Shame at having stolen a skeleton, like a kid on a Halloween trick-or-treat prank rather than a grown man making a hit. Shame at needing both his father and his aunt to get him off. Then more shame at seeing his fatherâwith an accommodating âwe all understand how it isâ smileâbuckle before the policemen. But nothing was like the shame he felt as he watched and listened to Pilate. Not just her Aunt Jemima act, but the fact that she was both adept at it and willing to do itâfor him. For the one who had just left her house carrying what he believed was her inheritance. It didnât matter that he also believed she had âstolenâ itâŠ. From whom? From a dead man? From his father, who was also stealing it? Then and now? He had stolen it too, and whatâs more, he had been preparedâat least he told himself he had been preparedâto knock her down if she had come into the room while he was in the act of stealing it. To knock down an old black lady who had cooked him his first perfect egg, who had shown him the sky, the blue of it, which was like her motherâs ribbons, so that from then on when he looked at it, it had no distance, no remoteness, but was intimate, familiar, like a room that he lived in, a place where he belonged. She had told him stories, sung him songs, fed him bananas and corn bread and, on the first cold day of the year, hot nut soup. And if his mother was right, this old black ladyâin her late sixties, but with the skin and agility of a teen-aged girlâhad brought him into the world when only a miracle could have. It was this woman, whom he would have knocked senseless, who shuffled into the police station and did a little number for the copsâopening herself up wide for their amusement, their pity, their scorn, their mockery, their disbelief, their meanness, their whimsy, their annoyance, their power, their anger, their boredomâwhatever would be useful to her and to himself. đ
- [N] Shame
id862075770
âLenaâŠâ
âWhat do you know about somebody not being good enough for somebody else? And since when did you care whether Corinthians stood up or fell down? Youâve been laughing at us all your life. Corinthians. Mama. Me. Using us, ordering us, and judging us: how we cook your food; how we keep your house. But now, all of a sudden, you have Corinthiansâ welfare at heart and break her up from a man you donât approve of. Who are you to approve or disapprove anybody or anything? I was breathing air in the world thirteen years before your lungs were even formed. Corinthians, twelve. You donât know a single thing about either one of usâwe made roses; thatâs all you knewâbut now you know whatâs best for the very woman who wiped the dribble from your chin because you were too young to know how to spit. Our girlhood was spent like a found nickel on you. When you slept, we were quiet; when you were hungry, we cooked; when you wanted to play, we entertained you; and when you got grown enough to know the difference between a woman and a two-toned Ford, everything in this house stopped for you. You have yet to wash your own underwear, spread a bed, wipe the ring from your tub, or move a fleck of your dirt from one place to another. And to this day, you have never asked one of us if we were tired, or sad, or wanted a cup of coffee. Youâve never picked up anything heavier than your own feet, or solved a problem harder than fourth-grade arithmetic. Where do you get the right to decide our lives?â
âLena, cool it. I donât want to hear it.â
âIâll tell you where. From that hogâs gut that hangs down between your legs. Well, let me tell you something, baby brother: you will need more than that. I donât know where you will get it or who will give it to you, but mark my words, you will need more than that. He has forbidden her to leave the house, made her quit her job, evicted the man, garnisheed his wages, and it is all because of you. You are exactly like him. Exactly. I didnât go to college because of him. Because I was afraid of what he might do to Mama. You think because you hit him once that we all believe you were protecting her. Taking her side. Itâs a lie. You were taking over, letting us know you had the right to tell her and all of us what to do.â
She stopped suddenly and Milkman could hear her breathing. When she started up again, her voice had changed; the steel was gone and in its place was a drifting, breezy music. âWhen we were little girls, before you were born, he took us to the icehouse once. Drove us there in his Hudson. We were all dressed up, and we stood there in front of those sweating black men, sucking ice out of our handkerchiefs, leaning forward a little so as not to drip water on our dresses. There were other children there. Barefoot, naked to the waist, dirty. But we stood apart, near the car, in white stockings, ribbons, and gloves. And when he talked to the men, he kept glancing at us, us and the car. The car and us. You see, he took us there so they could see us, envy us, envy him. Then one of the little boys came over to us and put his hand on Corinthiansâ hair. She offered him her piece of ice and before we knew it, he was running toward us. He knocked the ice out of her hand into the dirt and shoved us both into the car. First he displayed us, then he splayed us. All our lives were like that: he would parade us like virgins through Babylon, then humiliate us like whores in Babylon. Now he has knocked the ice out of Corinthiansâ hand again. And you are to blame.â Magdalene called Lena was crying. âYou are to blame. You are a sad, pitiful, stupid, selfish, hateful man. I hope your little hogâs gut stands you in good stead, and that you take good care of it, because you donât have anything else. But I want to give you notice.â She pulled her glasses out of her pocket and put them on. Her eyes doubled in size behind the lenses and were very pale and cold. âI donât make roses anymore, and you have pissed your last in this house.â
Milkman said nothing.
âNow,â she whispered, âget out of my room.â
Milkman turned and walked across the room. It was good advice, he thought. Why not take it? He closed the door. đ
- [N] Heartbreaking, beautiful scene
id862085673
When Hansel and Gretel stood in the forest and saw the house in the clearing before them, the little hairs at the nape of their necks must have shivered. Their knees must have felt so weak that blinding hunger alone could have propelled them forward. No one was there to warn or hold them; their parents, chastened and grieving, were far away. So they ran as fast as they could to the house where a woman older than death lived, and they ignored the shivering nape hair and the softness in their knees. A grown man can also be energized by hunger, and any weakness in his knees or irregularity in his heartbeat will disappear if he thinks his hunger is about to be assuaged. Especially if the object of his craving is not gingerbread or chewy gumdrops, but gold.
Milkman ducked under the boughs of black walnut trees and walked straight toward the big crumbling house. He knew that an old woman had lived in it once, but he saw no signs of life there now. He was oblivious to the universe of wood life that did live there in layers of ivy grown so thick he could have sunk his arm in it up to the elbow. Life that crawled, life that slunk and crept and never closed its eyes. Life that burrowed and scurried, and life so still it was indistinguishable from the ivy stems on which it lay. Birth, life, and deathâeach took place on the hidden side of a leaf. From where he stood, the house looked as if it had been eaten by a galloping disease, the sores of which were dark and fluid. đ
- [N] Amazing start to Part 2
id862085889
âYeah, well, everythingâs worse than before, or maybe itâs the same as before. I donât know. I just know that I want to live my own life. I donât want to be my old manâs office boy no more. And as long as Iâm in this place I will be. Unless I have my own money. I have to get out of that house and I donât want to owe anybody when I go. My familyâs driving me crazy. Daddy wants me to be like him and hate my mother. My mother wants me to think like her and hate my father. Corinthians wonât speak to me; Lena wants me out. And Hagar wants me chained to her bed or dead. Everybody wants something from me, you know what I mean? Something they think they canât get anywhere else. Something they think I got. I donât know what it isâI mean what it is they really want.â đ
id862086109
âLook. Itâs the condition our condition is in. Everybody wants the life of a black man. Everybody. White men want us dead or quietâwhich is the same thing as dead. White women, same thing. They want us, you know, âuniversal,â human, no ârace consciousness.â Tame, except in bed. They like a little racial loincloth in the bed. But outside the bed they want us to be individuals. You tell them, âBut they lynched my papa,â and they say, âYeah, but youâre better than the lynchers are, so forget it.â And black women, they want your whole self. Love, they call it, and understanding. âWhy donât you understand me?â What they mean is, Donât love anything on earth except me. They say, âBe responsible,â but what they mean is, Donât go anywhere where I ainât. You try to climb Mount Everest, theyâll tie up your ropes. Tell them you want to go to the bottom of the seaâjust for a lookâtheyâll hide your oxygen tank. Or you donât even have to go that far. Buy a horn and say you want to play. Oh, they love the music, but only after you pull eight at the post office. Even if you make it, even if you stubborn and mean and you get to the top of Mount Everest, or you do play and you good, real goodâthat still ainât enough. You blow your lungs out on the horn and they want what breath you got left to hear about how you love them. They want your full attention. Take a risk and they say you not for real. That you donât love them. They wonât even let you risk your own life, man, your own lifeâunless itâs over them. You canât even die unless itâs about them. What good is a manâs life if he canât even choose what to die for?â
âNobody can choose what to die for.â
âYes you can, and if you canât, you can damn well try to.â
âYou sound bitter. If thatâs what you feel, why are you playing your numbers game? Keeping the racial ratio the same and all? Every time I ask you what you doing it for, you talk about love. Loving Negroes. Now you sayââ
âIt is about love. What else but love? Canât I love what I criticize?â đ
id862094573
Here, this here, is what a man can do if he puts his mind to it and his back in it. Stop sniveling,â it said. âStop picking around the edges of the world. Take advantage, and if you canât take advantage, take disadvantage. We live here. On this planet, in this nation, in this county right here. Nowhere else! We got a home in this rock, donât you see! Nobody starving in my home; nobody crying in my home, and if I got a home you got one too! Grab it. Grab this land! Take it, hold it, my brothers, make it, my brothers, shake it, squeeze it, turn it, twist it, beat it, kick it, kiss it, whip it, stomp it, dig it, plow it, seed it, reap it, rent it, buy it, sell it, own it, build it, multiply it, and pass it onâcan you hear me? Pass it on!â đ
- [N] Milkman talking with his dad and grandpas old friends
id862104177
He loosened his collar and lit another cigarette. Here in this dim room he sat with the woman who had helped deliver his father and Pilate; who had risked her job, her life, maybe, to hide them both after their father was killed, emptied their slop jars, brought them food at night and pans of water to wash. Had even sneaked off to the village to have the girl Pilateâs name and snuffbox made into an earring. Then healed the ear when it got infected. And after all these years was thrilled to see what she believed was one of them. Healer, deliverer, in another world she would have been the head nurse at Mercy. Instead she tended Weimaraners and had just one selfish wish: that when she died somebody would find her before the dogs ate her. đ
- [N] This scene with Circe and Milkman in the old farmhouse is amazing
id862105573
The dogs were humming and she touched their heads. One stood on either side of her. âThey loved this place. Loved it. Brought pink veined marble from across the sea for it and hired men in Italy to do the chandelier that I had to climb a ladder and clean with white muslin once every two months. They loved it. Stole for it, lied for it, killed for it. But Iâm the one left. Me and the dogs. And I will never clean it again. Never. Nothing. Not a speck of dust, not a grain of dirt, will I move. Everything in this world they lived for will crumble and rot. The chandelier already fell down and smashed itself to pieces. Itâs down there in the ballroom now. All in pieces. Something gnawed through the cords. Ha! And I want to see it all go, make sure it does go, and that nobody fixes it up. I brought the dogs in to make sure. They keep strangers out too. Folks tried to get in here to steal things after she died. I set the dogs on them. Then I just brought them all right in here with me. You ought to see what they did to her bedroom. Her walls didnât have wallpaper. No. Silk brocade that took some Belgian women six years to make. She loved itâoh, how much she loved it. Took thirty Weimaraners one day to rip it off the walls. If I thought the stink wouldnât strangle you, Iâd show it to you.â She looked at the walls around her. âThis is the last room.â đ
- [N] Circe on destroying
id862106777
As soon as he put his foot on the first stone, he smelled money, although it was not a smell at all. It was like candy and sex and soft twinkling lights. Like piano music with a few strings in the background. Heâd noticed it before when he waited under the pines near Pilateâs house; more when the moon lit up the green sack that hung like a kept promise from her ceiling; and most when he tumbled lightly to the floor, sack in hand. Las Vegas and buried treasure; numbers dealers and Wells Fargo wagons; race track pay windows and spewing oil wells; craps, flushes, and sweepstakes tickets. Auctions, bank vaults, and heroin deals. It caused paralysis, trembling, dry throats, and sweaty palms. Urgency, and the feeling that âtheyâ had been mastered or were on your side. Quiet men stood up and threw a queen down on the table hard enough to break her neck. Women sucked their bottom lips and put little red disks down in numbered squares. Lifeguards, A-students, eyed cash registers and speculated on how far away the door was. To win. There was nothing like it in the world. đ
- [N] Money
id862459520
âGood luck?â
âYeah. Said to tell you your day was sure coming or your dayâŠsomething like thatâŠyour day is here. But I know it had a day in it. But I ainât sure if he said it was comin or was already here.â He chuckled. âWish mine was here. Been waitin fifty-seven years and it ainât come yet.â đ
id862460414
In fact they had been. They looked with hatred at the city Negro who could buy a car as if it were a bottle of whiskey because the one he had was broken. And whatâs more, who had said so in front of them. He hadnât bothered to say his name, nor ask theirs, had called them âthem,â and would certainly despise their days, which should have been spent harvesting their own crops, instead of waiting around the general store hoping a truck would come looking for mill hands or tobacco pickers in the flatlands that belonged to somebody else. His manner, his clothes were reminders that they had no crops of their own and no land to speak of either. Just vegetable gardens, which the women took care of, and chickens and pigs that the children took care of. He was telling them that they werenât men, that they relied on women and children for their food. And that the lint and tobacco in their pants pockets where dollar bills should have been was the measure. That thin shoes and suits with vests and smooth smooth hands were the measure. That eyes that had seen big cities and the inside of airplanes were the measure. They had seen him watching their women and rubbing his fly as he stood on the steps. They had also seen him lock his car as soon as he got out of it in a place where there couldnât be more than two keys twenty-five miles around. He hadnât found them fit enough or good enough to want to know their names, and believed himself too good to tell them his. They looked at his skin and saw it was as black as theirs, but they knew he had the heart of the white men who came to pick them up in the trucks when they needed anonymous, faceless laborers. đ
- [N] Milkman acting cocky in a small southern town
id862461856
âI wonât miss it.â Milkman stood up and walked to his car. He fumbled for the car keys, opened the door, and slid into the seat. He rolled down all four windows, found a towel in the back seat, and stretched out, using his jacket for a pillow and the towel as a bandage for his face. His feet stuck out the open door. Fuck âem. Who were all these people roaming the world trying to kill him? His own father had tried while he was still in his motherâs stomach. But heâd lived. And he had lived the last year dodging a woman who came every month to kill him, and he had lain just like this, with his arm over his eyes, wide open to whatever she had in her hand. Heâd lived through that too. Then a witch had stepped out of his childhood nightmares to grab him, and heâd lived through that. Some bats had driven him out of a caveâand heâd lived through that. And at no time did he have a weapon. Now he walked into a store and asked if somebody could fix his car and a nigger pulled a knife on him. And he still wasnât dead. Now what did these black Neanderthals think they were going to do? Fuck âem. My nameâs Macon; Iâm already dead. He had thought this place, this Shalimar, was going to be home. His original home. His people came from here, his grandfather and his grandmother. All the way down South people had been nice to him, generous, helpful. In Danville they had made him the object of hero worship. In his own home town his name spelled dread and grudging respect. But here, in his âhome,â he was unknown, unloved, and damn near killed. These were some of the meanest unhung niggers in the world. đ
- [N] Milkman gets into a fight at the general store, shaken but not dead
id862466068
But so what? What business was it of theirs what he did with his money? He didnât deserve âŠ
It sounded old. Deserve. Old and tired and beaten to death. Deserve. Now it seemed to him that he was always saying or thinking that he didnât deserve some bad luck, or some bad treatment from others. Heâd told Guitar that he didnât âdeserveâ his familyâs dependence, hatred, or whatever. That he didnât even âdeserveâ to hear all the misery and mutual accusations his parents unloaded on him. Nor did he âdeserveâ Hagarâs vengeance. But why shouldnât his parents tell him their personal problems? If not him, then who? And if a stranger could try to kill him, surely Hagar, who knew him and whom heâd thrown away like a wad of chewing gum after the flavor was goneâshe had a right to try to kill him too.
Apparently he thought he deserved only to be lovedâfrom a distance, thoughâand given what he wanted. And in return he wouldâŠwhat? Pleasant? Generous? Maybe all he was really saying was: I am not responsible for your pain; share your happiness with me but not your unhappiness. đ
id862466236
His watch and his two hundred dollars would be of no help out here, where all a man had was what he was born with, or had learned to use. And endurance. Eyes, ears, nose, taste, touchâand some other sense that he knew he did not have: an ability to separate out, of all the things there were to sense, the one that life itself might depend on. đ
id862466415
All those shrieks, those rapid tumbling barks, the long sustained yells, the tuba sounds, the drumbeat sounds, the low liquid howm howm, the reedy whistles, the thin eeeeeâs of a cornet, the unh unh unh bass chords. It was all language. An extension of the click people made in their cheeks back home when they wanted a dog to follow them. No, it was not language; it was what there was before language. Before things were written down. Language in the time when men and animals did talk to one another, when a man could sit down with an ape and the two converse; when a tiger and a man could share the same tree, and each understood the other; when men ran with wolves, not from or after them. And he was hearing it in the Blue Ridge Mountains under a sweet gum tree. And if they could talk to animals, and the animals could talk to them, what didnât they know about human beings? Or the earth itself, for that matter. It was more than tracks Calvin was looking forâhe whispered to the trees, whispered to the ground, touched them, as a blind man caresses a page of Braille, pulling meaning through his fingers. đ
- [N] Language, man and nature
id862467207
Down either side of his thighs he felt the sweet gumâs surface roots cradling him like the rough but maternal hands of a grandfather. Feeling both tense and relaxed, he sank his fingers into the grass. He tried to listen with his fingertips, to hear what, if anything, the earth had to say, and it told him quickly that someone was standing behind him and he had just enough time to raise one hand to his neck and catch the wire that fastened around his throat. It cut like a razor into his fingers, tore into the skin so deeply he had to let go. The wire pressed into his neck then and took his breath. He thought he heard himself gurgling and saw a burst of many-colored lights dancing before his eyes. When the music followed the colored lights, he knew he had just drawn the last sweet air left for him in the world. Exactly the way heâd heard it would be, his life flashed before him, but it consisted of only one image: Hagar bending over him in perfect love, in the most intimate sexual gesture imaginable. In the midst of that picture he heard the voice of the someone holding the wire say, âYour Day has come,â and it filled him with such sadness to be dying, leaving this world at the fingertips of his friend, that he relaxed and in the instant it took to surrender to the overwhelming melancholy he felt the cords of his struggling neck muscles relax too and there was a piece of a second in which the wire left him room enough to gasp, to take another breath. But it was a living breath this time, not a dying one. Hagar, the lights, the music, disappeared, and Milkman grabbed the Winchester at his side, cocked it, and pulled the trigger, shooting into the trees in front of him. The blast startled Guitar, and the wire slipped again. Guitar pulled it back, but Milkman knew his friend would need both hands to keep it that way. He turned the shotgun backward as far as he could and managed awkwardly, to pull the trigger again, hitting only branches and dirt. He was wondering if there was another blast in the gun when he heard right up close the wild, wonderful sound of three baying dogs who he knew had treed a bobcat. The wire dropped and he heard Guitar breaking into a fast run through the trees. Milkman stood up and grabbed his flashlight, pointing it in the direction of the sound of running feet. He saw nothing but branches resettling themselves. Rubbing his neck, he moved toward the sound of the dogs. Guitar did not have a gun, otherwise he would have used it, so Milkman felt secure heading for the dogs with the gun in his hand even though it had no more shot. He didnât miss; his sense of direction was accurate and he came upon Calvin, Small Boy, Luther, and Omar crouching on the ground a few feet away from the dogs and the glistening night eyes of a bobcat in a tree. đ
- [N] This is a crazy scene, was Guitar actually there, strangling Milkman (no? How could he be? I guess he followed him) either way, a turning point for Milk, facing death, facing fear, humbled, happy to be alive just for the sake of living
id862469188
Omar sliced through the rope that bound the bobcatâs feet. He and Calvin turned it over on its back. The legs fell open. Such thin delicate ankles.
âEvery body wants a black manâs life.â
Calvin held the forefeet open and up while Omar pierced the curling hair at the point where the sternum lay. Then he sliced all the way down to the genitals. His knife pointed upward for a cleaner, neater incision.
âNot his dead life; I mean his living life.â
When he reached the genitals he cut them off, but left the scrotum intact.
âItâs the condition our condition is in.â
Omar cut around the legs and the neck. Then he pulled the hide off.
âWhat good is a manâs life if he canât even choose what to die for?â
The transparent underskin tore like gossamer under his fingers.
âEverybody wants the life of a black man.â
Now Small Boy knelt down and slit the flesh from the scrotum to the jaw.
âFair is one more thing Iâve given up.â
Luther came back and, while the others rested, carved out the rectal tube with the deft motions of a man coring an apple.
âI hope I never have to ask myself that question.â
Luther reached into the paunch and lifted the entrails. He dug under the rib cage to the diaphragm and carefully cut around it until it was free.
âIt is about love. What else but love? Canât I love what I criticize?â
Then he grabbed the windpipe and the gullet, eased them back, and severed them with one stroke of his little knife.
âIt is about love. What else?â
They turned to Milkman. âYou want the heart?â they asked him. Quickly, before any thought could paralyze him, Milkman plunged both hands into the rib cage. âDonât get the lungs, now. Get the heart.â
âWhat else?â
He found it and pulled. The heart fell away from the chest as easily as yolk slips out of its shell.
âWhat else? What else? What else?â đ
- [N] God damn. SO GOOD holy shit. Milk thinking to himself, what's it all about, what's the point, all while skinning and gutting the hunted bobcat. He rips the heart out. Crying đ wow
id862492946
Jesus! Here he was walking around in the middle of the twentieth century trying to explain what a ghost had done. But why not? he thought. One fact was certain: Pilate did not have a navel. Since that was true, anything could be, and why not ghosts as well? đ
- [N] :)
id862497783
And his father. An old man now, who acquired things and used people to acquire more things. As the son of Macon Dead the first, he paid homage to his own fatherâs life and death by loving what that father had loved: property, good solid property, the bountifulness of life. He loved these things to excess because he loved his father to excess. Owning, building, acquiringâthat was his life, his future, his present, and all the history he knew. That he distorted life, bent it, for the sake of gain, was a measure of his loss at his fatherâs death. đ
- [N] On Milks dad
id862497938
His mind turned to Hagar and how he had treated her at the end. Why did he never sit her down and talk to her? Honestly. And what ugly thing was it he said to her the last time she tried to kill him? And God, how hollow her eyes had looked. He was never frightened of her; he never actually believed that she would succeed in killing him, or that she really wanted to. Her weapons, the complete lack of cunning or intelligence even of conviction, in her attacks were enough to drain away any fear. Oh, she could have accidentally hurt him, but he could have stopped her in any number of ways. But he hadnât wanted to. He had used herâher love, her crazinessâand most of all he had used her skulking, bitter vengeance. It made him a star, a celebrity in the Blood Bank; it told men and other women that he was one bad dude, that he had the power to drive a woman out of her mind, to destroy her, and not because she hated him, or because he had done some unforgivable thing to her, but because he had fucked her and she was driven wild by the absence of his magnificent joint. His hogâs gut, Lena had called it. Even the last time, he used her. Used her imminent arrival and feeble attempt at murder as an exercise of his will against hersâan ultimatum to the universe. âDie, Hagar, die.â Either this bitch dies or I do. And she stood there like a puppet strung up by a puppet master who had gone off to some other hobby. đ
- [N] Reflecting on Hagar, how Milk used her
id862745356
He read the road signs with interest now, wondering what lay beneath the names. The Algonquins had named the territory he lived in Great Water, michi gami. How many dead lives and fading memories were buried in and beneath the names of the places in this country. Under the recorded names were other names, just as âMacon Dead,â recorded for all time in some dusty file, hid from view the real names of people, places, and things. Names that had meaning. No wonder Pilate put hers in her ear. When you know your name, you should hang on to it, for unless it is noted down and remembered, it will die when you do. Like the street he lived on, recorded as Mains Avenue, but called Not Doctor Street by the Negroes in memory of his grandfather, who was the first colored man of consequence in that city. Never mind that he probably didnât deserve their honorâthey knew what kind of man he was: arrogant, color-struck, snobbish. They didnât care about that. They were paying their respect to whatever it was that made him be a doctor in the first place, when the odds were that heâd be a yardman all of his life. So they named a street after him. Pilate had taken a rock from every state she had lived inâbecause she had lived there. And having lived there, it was hersâand his, and his fatherâs, his grandfatherâs, his grandmotherâs. Not Doctor Street, Solomonâs Leap, Rynaâs Gulch, Shalimar, Virginia. đ
id862749480
Milkman stopped waving and narrowed his eyes. He could just make out Guitarâs head and shoulders in the dark. âYou want my life?â Milkman was not shouting now. âYou need it? Here.â Without wiping away the tears, taking a deep breath, or even bending his kneesâhe leaped. As fleet and bright as a lodestar he wheeled toward Guitar and it did not matter which one of them would give up his ghost in the killing arms of his brother. For now he knew what Shalimar knew: If you surrendered to the air, you could ride it. đ